DIVERSITY OF UNITY

it’s a matter of feelin,
where the artist
must be receptive in the perceptive
from a deep reservoir
of experiences to draw upon.
if the line comes to life,
it can possess value, color, and invoke shape,
n give it an intrinsic appeal
to be admired for its own sake.
but if i take my hands
n put them to my face,
it can almost be like a topographic map,
where the contours
have dominant and subordinate effects.
imagine if ya will
when i shut my eyes,
n take my index finger
in a slow moves around both eyes,
it casts a hidden shadow.
imagery is all about the mood it creates,
along with its expression
where the eyes
are engaged in inner
n outer stimuli.
it’s like that with words
where duality can be seen n unseen.

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